torstaina, huhtikuuta 04, 2019

Siunattu Hiljaisuudessa prod.


Most of the physical releases (there will be more this year) will be released via my small scale label Siunattu Hiljaisuudessa prod. It is not a 'real' label, it is just a vehicle for releasing my own stuff or split releases with other artists. Unless I win in lottery or get some serious financial contributions they will be released only in very small editions (25 or 50 copies).
There are plans for another 4-way compilation, split tape (Unihalvaus debut release) and a collaboration tape in a future - maybe even Hazarda Bruo Sonsistemo tape. Let's see what happens.

4-way split tape "Juurimusiikkia Teknologian Jättömailta"





Approaching the new age (and I'm not talking about New Age) with a new 4-way split cassette "Juurimusiikkia Teknologian Jättömailta" which translates something like 'roots music from technology wastelands'. It's a very limited 50 copies only edition - nearly half of which is already gone - 60 minute pro-duplicated tape (by Upper Class Twat Tapes). Along with Hazarda Bruo Sonsistemo (yeah that's me) there's moody ambient noise from Fricsvel, old-school industrial from The Day Of The Antler (familiar name from a few collaborations with SSS) and harsh noise from Deattán.
If you feel like getting one, I prefer trades, it's 6€ + post.

Hear a short sampler mix down below or there




keskiviikkona, joulukuuta 12, 2018

SALAKAPAKKA SOUND SYSTEM is (possibly) over

Dear You. From now on I've decided to end the activities of my Salakapakka Sound System moniker. Why? Because there's always been a wide array of styles released under that name (which I hate nowadays), from harsh noise to dark ambient and musique concrete. First, I didn't care but lately I've felt that it would be easier for me and easier for you (maybe?) if different styles could be expressed under different names: Hazarda Bruo Sonsistemo for harsh noise, Itsensäsyöjät for beat-oriented minimal electro and yet unnamed project for drone/ambient. Of course those styles will overlap sometimes but the overall separation between these all should be clear. The only thing where Salakapakka Sound System could raise it's ugly head is the situation when there could be a one more part in a series of 'La Musique Concrète' or Buddha Machine. But that's only a distant string of thought.
So, thanks for reading.

torstaina, heinäkuuta 12, 2018

Salakapakka Sound System is industrial

Now it's official; Salakapakka Sound System is officially included in the industrial genre history writing. See why. It's sad that it seems like the great Encyclopaedia of Industrial Music series never made it to part IV. I really enjoyed the first three parts.

torstaina, heinäkuuta 05, 2018

modular

I've been collecting a few synth modules recently. That's the world you can get lost into soooo easily. I'm trying to keep myself under control.



more video fun


A Finnish skate video using some SSS tracks:


Suomi Noise Kolari compilation CD

I'm proud to announce a new 4-way split compilation CD featuring myself under Hazarda Bruo Sonsistemo moniker (delivering possibly the harshest stuff in my discography), Romutus, Tyhjiø & Small Unnecessary Objects
Here is a small audio teaser.
PRICES: !!!SOLD OUT!!!
In case you feel like getting one, try some of the following places:
OTHERS: Old Captain (Ukraine), Zhelezobeton (Russia), 4iB (Singapore), Malignant Records (US)





torstaina, joulukuuta 28, 2017

new rehearsal track

Done some modular synth tracks and uploaded a raw mix compiling bits from every track.
Track available at Archive.org

tiistaina, joulukuuta 05, 2017

Available at Bandcamp

Since "Atonality Appreciation Society" tape is sold out from me (you may find some isolated copies around the world if you're lucky), it is now available in digital format at Bandcamp.
Also I'm running on a very few last copies of "Accident Worship" CDr. That is now also available at Bandcamp.

sunnuntaina, marraskuuta 05, 2017

Gear-a-holic part 17





For a long time, a new pedal in the house. Well, bought it some time ago at the A Place To Bury Strangers gig - that's why my copy is a limited edition tour version. Nice, dirty sounding, not-your-typical-reverb pedal. Works quite nice with synthesizer and field recordings, especially when paying attention to dry/wet -relation.